Sunday, March 23, 2008

Resplendent in Dignity

From the CD Project...

The Badlees - River Songs (1995)

Grade: DNL

Comments: Unmemorable roots rock except for the single "Angeline is Coming Home", which was a nice little hit in 1996. The Badlees are the result of one too many Columbia House memberships. (That keg was pretty much kicked by 1996, when I ordered this.) I also blame Philadelphia radio. I was in law school in Philly from 1995 to 1998, and the best thing on the radio was WXPN (the local NPR outlet). XPN fed into my tendency to be a sucker for anything with a banjo or harmonica in it, and I wound up buying crap like this.

Thursday, March 20, 2008

Jesus Rocks

Continued from here...

From Petra, it was a short leap to the Rez Band. The Rez Band was bigger, badder, and better than Petra in every way. They were street enough to be controversial and threatening, almost earning them a trip to the banned list. Their 1984 album Hostage was one of the few Christian rock albums I continued to listen to after the Baker household ban on secular influences was relaxed. The album is rock with new-wavey touches, but the vocals by husband and wife Glenn and Wendi Kaiser are pretty tough. "Beyond the Gun" is a tale of apocalyptic Christian paranoia, set in a future where religion is forbidden. You should really watch the video. It's got black helicopters and everything. "Souls for Hire" had nice, crunchy guitars that sounded like ZZ Top.

But "Tears in the Rain" was the standout. It's a classic tale of the rise and fall of a rock star, seduced by fame but empty inside - sort of like Bad Company's "Shooting Star." I liked the narrative and the guitars. I liked the dramatic chorus (there's murder in money/prison in fame/danger in love/and tears in the rain). But mostly I liked it because it was so different. It seemed like Rez was making a great song that just happened to have a moral to it, rather than making a crap song that I was obligated to like just cause it was Christian.

White Trash Heroes

From the CD Project...

Archers of Loaf - Seconds Before The Accident

Grade: LOVE

Comment: This album may be the most amazing surprise of this project. I never got into the Archers during their indie rock heyday. I always sort of thought they were a second-rate Pavement clone. This live album was their last, and while fans of the band don't think it measures up, I love almost every one of the 16 tracks, particularly "White Trash Heroes."

Thursday, March 6, 2008

Hallelujah

I'm still swamped with work, but I wanted to post this link to this article on Leonard Cohen's "Hallelujah". Three things I love: my family, the interweb, and that darn song.

Monday, February 18, 2008

Quiet Time

Expect no updates for the next few weeks. I have a trial starting on February 25. But when I come back, I'm gonna kick some kah-knowledge about Archers of Loaf, Rez Band, The Badlees, Undercover, The Band and Steve Taylor.

Wednesday, February 13, 2008

Hey, You, Pass Me Down That Bottle

From the CD Project...

Alice in Chains - Jar of Flies (1994)

Grade: LOVE

Comments: Seven perfect, dark tracks all about trying to find a home. Cantrell's guitars are just lovely, as are Staley's vocals. The horns sound great and the strings rarely sound shlocky. Classic rock at its best. I love every one of the songs, but some of the highlights are the single "I Stay Away", the opener "Rotten Apple," (this crappy video gives a hint as to why Alice ended up being the band I saw live most often during the grunge years), and the uncharacteristically gentle "Don't Follow".

Tuesday, February 12, 2008

Hey, man, is that CHRISTIAN ROCK? Well turn it up!

From what I can recall, I was mostly pissed off in 1984. And ’85. 5th grade was 83-84, 6th was 84-85, and 7th was 85-86. During those years I attended a private Baptist school called Westside Christian School. Nowadays Westside would be described as “fundamentalist.”

The gym at Westside saw double duty. During the week it functioned as a basketball court and general recreation area. On Sunday, folding chairs were set up for the parishioners attending Sunday church services. Whoever designed the gym/sanctuary compromised on the flooring, laying down a hard rug on top of the concrete subfloor. The result was the worst of both worlds. Our basketball games were played on carpet, and during church someone was always stuck sitting on the free throw line.

During those years, most secular (meaning anything that was not explicitly Christian) influences were banned in my home. I wasn't allowed to watch movies that my parents hadn’t pre-screened to confirm that the movie complied with decent moral standards. As my dad liked to joke, “'PG' stands for ‘pretty gross’ and 'R' means ‘rotten.'" My mom played along too. Her review of Short Circuit: "They said "s-h-i-t' three times and 'a-s-s' five times." My brother Caleb and I were allowed an hour or so of television per day - sports and approved cartoons only. Of course, the devil's music was verboten. (Let the record reflect that even though they could be total Nazis and stuff, my parents have always been the best. Hi mom and dad, I love you!)

Of course, these restrictions only made the forbidden stuff irresistable. But we'll save the copy of Van Halen's 1984 I kept hidden under my mattress for another time. On an everyday basis, it was much less stressful to enjoy parentally-approved entertainment options. Hence, my love for Christian rock. Although I suspected that it mostly sucked, at 11 years old I was a sucker for any kind of pop music whatsoever. As a result, I know more about mid-1980s Christian rock than is strictly healthy. But for now, stifle your giggles. I’m saving the post about Stryper for another day. Right now I'm talking about the Christian rock albums that got scratched into my soul. The ones I listened to over and over and over in my room and on my walkman.

The first Christian rock band that I loved was the biggest of them all, Petra. Petra dominated the Christian rock scene for nearly two decades. My most-listened to Petra album was 1984's Beat the System. Beat the System is synth-pop. It sounds sort of like a very poor man's version of Invisible Touch-era Genesis. My favorite track was a cover of "God Gave Rock and Roll to You", which was first recorded by Argent (fronted by Rod Argent from The Zombies.) Later, the song was covered by KISS, (which as all good Christians know stands for Knights In Satan's Service), and featured in Bill & Ted's Bogus Journey. The KISS cover confirmed what many of the hard-core had long suspected - that the track was blasphemous and Petra was headed straight to hell. Even the more liberal folks were concerned that Petra was falling into the "ways of the world," seduced, no doubt, by the world's endless supply of cheesy synthesizers and tight pants.


To be continued...

Monday, February 11, 2008

Something Hot

From the CD Project...

Afghan Whigs - Black Love (1996)

Grade: LOVE

Comment: It's not a masterpiece like Gentlemen, but the highlights like "Going to Town" "Faded", and "Bulletproof" are some of my most totalliest favoritest songs ever. When Dulli asks the musical question "Do you think I'm beautiful?/Do you think I'm evil?", I can only respond "umm, yes". Note that this comment refers to Black Love, not "Bad Love".

Hey Jack Kerouac

From the CD Project...

10,000 Maniacs - In My Tribe (1987)

Grade: LIKE

Comments: I love Natalie Merchant's voice. And her look. This album is pleasant and also kind of lame. I enjoy the personal songs like "My Sister Rose" more than the topical songs like "What's The Matter Here". Here's a fun fact - "What's the Matter Here" and Suzanne Vega's "Luka" form an unusual mini genre: pop hits about child abuse from 1987.

Sunday, February 10, 2008

There's No Exception To The Rule(s)

Last year I undertook what I called the CD Project. The CD Project was a review of my CD collection. Most of my CDs were acquired during my "CD period", which began around my junior year in college (1994) and continued until I downloaded Napster and acquired a CD burner (1998).

When I started buying CDs I was the proud owner of a pretty decent cassette tape collection. So the bulk of my purchases were new releases, along with some replacements for worn-out tapes. Also I caught up on certain artists' back catologues. Keep in mind that I acquired a large portion of the CDs by gaming the Columbia House and BMG record clubs, so the collection is heavy on major label artists. (Worry not - concerned friends kept me supplied with plenty of indy goodness.)

I conducted the CD Project using the following procedures.

First, I (somewhat randomly) selected one album for each artist represented in my collection.

Second, I did my best to listen to the album closely enough to form a current opinion. To that end, I established some ground rules. I had to listen to each track on each album - no matter how awful - through at least the first chorus. I also required myself to make an effort to listen without prejudice. I tried to focus on how I reacted to the songs in the moment, and to minimize the influence of my past associations and opinions. I also tried to forget the album's reviews. I didn't altogether succeed (nostalgia's a bitch), but I didn't altogether fail either (as demonstrated by my negative reaction to the dB's Stands for Decibels which I had thought I adored).

Third, I entered the following information into an Excel spreadsheet called "CD Project": artist name, album title, grade, and comments. The grade scale I used was LOVE (meaning that I'd likely listen to the album again within a year), LIKE (meaning that I'd likely listen to the album again within the next two years), and DNL (do not like - meaning that I'd be just as happy never to listen to the album again.) Albums that I didn't purchase myself are marked with an asterisk. Most of the asterisked albums were given to me by Matt or bought by my wife Abby.

It took me over a year to listen to each of the 193 unique artists represented in my CD collection. Now that I have this forum, I plan to post the results of the CD Project in short chunks. With any luck, this may dupe my readers into thinking that I'm prolific and/or witty.

Thursday, February 7, 2008

Introduce Yourself

I’m not sure where Matt discovered Introduce Yourself. Growing up in Yakima, we didn’t have what you'd call a broad exposure to pop music. Radio was limited to classic rock, Top 40, and modern country - two or three stations per format. All playing the same damn songs day after day. There was no internet in 1986, and there were definitely no rock shows in Yakima. But junkies find a way, and we developed a couple connects.

First, we discovered that one of the local Top 40 stations - 92.5 KZHR - broadcast a syndicated program called Rock Over London every Sunday night from 11:00 p.m. to 1:00 a.m. The posh-sounding host Graham Dene played the latest Brit chart-toppers including the Smiths, the Cure, New Order, et al.

Second, as often as we could convince our folks to drive, we would journey to Cellophane Square, an oasis in the nightmare otherwise known as Bellevue Square mall. The three hour drive (often permeated by clouds of yummy pipe smoke courtesy of Matt's dad) was amply rewarded by Cellophane Square's smorgasboard of what was then called “modern rock” or “college rock”. We would buy whatever we could afford from the Square’s top 10 list, which was handwritten on a whiteboard. No reviews or listens necessary. We knew it would be good. Before leaving we'd scrounge all available copies of The Rocket, then we'd haul our booty back over the Cascades gleefully anticipating the endless listens awaiting us.

So, the thing about Introduce Yourself was that it was unlike anything I’d ever heard before. That Southern Cal mix of metal, funk, rap and punk was a million miles away from the sensitive lads crooning on Rock Over London. In retrospect, Introduce Yourself foreshadowed Jane’s Addiction's successful formula on Nothing's Shocking and even some aspects of nu metal. Listening today, the smart punk attitude and off-key vocals sound fresh to me.

Wednesday, February 6, 2008

Pleased To Meet Me

Hi, my name is Gabe. My best friend is Matt. Matt runs NadaMucho.com. Recently Matt burned me a copy of Faith No More’s album Introduce Yourself, which was released in 1987. 1987 was a good year. 1987 saw Matt and I complete our 8th grade year and begin our 9th grade year as students at West Valley Junior High School in Yakima, Washington, USA. During those years, we developed a mutual obsession with left of the dial pop music, along with certain co-dependent tendencies. Introduce Yourself was one of the albums that knocked us on our butts.

Until two days ago, I had not listened to Introduce Yourself in years. My original copy of the album was located on the B-side of a 90-minute cassette tape. I dubbed Matt’s Introduce Yourself cassette tape onto a blank cassette tape using a portable dual-cassette tape recorder. At 37:42, Introduce Yourself fit nicely into the allotted 45 minutes. Using hi-speed dubbing, the copying process only took 23 minutes. The A-side of this particular cassette tape is Jesus & Mary Chain's album Darklands. Although the tape is still stored in my basement, I have not listened to it since approximately 1992.

I’ve now spent the last two days listening to Introduce Yourself on my commute to and from my downtown Seattle job as a corporate lawyer. The album’s got me thinking about where I come from and where I’m going. Music was everything to me, then nothing, and now it’s becoming something again. My reintroduction to Introduce Yourself inspired me to document my musical journey, which pivoted on those formative years of 1986, 1987, and 1988. Along with Introduce Yourself, the following albums released during those three years were scratched into my soul:

Big Audio Dynamite, No. 10 Upping St. (1986)
XTC, Skylarking (1986)
Jesus & Mary Chain, Darklands (1987)
The Cult, Electric (1987)
U2, The Joshua Tree (1987)
The Smiths, Louder Than Bombs (1987)
The Replacements, Pleased to Meet Me (1987)
The Smiths, Strangeways Here We Come (1987)
New Order, Substance (1987)

The following albums were also extremely important to me, but to a slighter lesser degree:

R.E.M., Life's Rich Pageant (1986)
They Might Be Giants, Don't Let's Start (EP) (1987)
The Cure, Kiss Me, Kiss Me, Kiss Me (1987)
Sonic Youth, Daydream Nation (1988)
The Church, Starfish (1988)

I intend to use this forum to trace my history as a music fan, and hopefully create something that my kids might find interesting one day. (I'm currently reading them Little House on the Prairie and wondering whether they will find my cassette tapes as quaint as they do Laura's corn-cob doll.) Failing that, this little project at least gives me an excuse to dust off some of those old tapes and wallow in nostalgia.